Lastly, some presets were quite – how should I say? – overloud, but OK, there is a volume knob and an option to turn off some effects and volume knobs on amps or effects. Looks like that developer owns one of those Joe Satriani Ibanez iron desks with teen body. For some odd reason all the presets had the bass knob nailed on a high value, while treble was quite low. I thought this was just how it was, but it proved to be just a matter of internal rack settings. Secondly, I have my heavy body Telecaster and all the presets sounded very boomy. Then I spent some additional time figuring out how to set it to mono. Firstly, input is set to stereo as default and I spent some quality time figuring out why everything sounded so awful. I’m totally in love with this one, but my first impression was quite the opposite – it was nearly a disaster actually. It not only emulates guitar amps and cabinets, but also provides a wide selection of effects for a deep variety of sound-shaping purposes. The “3” in the name indicates that it enhances the previous version, TH2. Overloud’s TH3 is a host for an effects chain that emulates a real-world electric guitarist’s gear. It shines at both extremes, offering aggressive distorted metal sounds as well as heavenly light and lyrical clean sounds. Overloud has set some high standards with their new TH3 virtual amp suite.
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